Showing posts with label Mahler. Show all posts
Showing posts with label Mahler. Show all posts

Monday, February 21, 2011

"Singer/Song of the Day" Month

Last year, I devoted a series of posts to the month of February called "Singer of Day" Month. This year, in keeping with the tradition, I'd like to highlight the Song, Lied and Mélodie. Hopefully, it will yield some great singers, examples of great music from the song repertoire and perhaps some unknown gems.

So far we've had:
February 1: Descúbrase El Pensamiento from Canicones Amatorias (Enrique Granados)
February 2: Bachiana Brasileira No. 5 (Villa-Lobos)
February 3: Du liebst mich nicht (Schubert)
February 4: Havanaise (Viardot)
February 5: Moi genie, moi angel, moi drug (Tchaikovsky)
February 6: Ging heut Morgen übers Feld (Mahler)
February 7: Schäfer's Klagelied (Schubert)
February 8: Non,Je Ne Regrette Rien (Charles Dumont)
February 9: Von Ewiger Liebe (Brahms)
February 10: Haugtussa (Grieg)
February 11: The Sound of Freedom (Moustafa Fahmy, Mohamed Khalifa, and Mohamed Shaker)
February 12: Mutya ng Pasig (Nicanor Aberlando)
February 13: Eri già tutta mia (Monteverdi)
February 14: Lied von der belebenden Wirkung des Geldes (Hanns Eisler)
February 15: Stripsody Cathy Berbarian
February 16: Youkali Kurt Weill
February 17: Berceuses du Chat Stravinksy
February 18: Berceuses du Chat Stravinksy
February 19: Berceuses du Chat Stravinksy
February 20: Berceuses du Chat Stravinksy
February 21: Como quieres que adivine? Guridi

Sunday, February 6, 2011

Ging heut Morgen übers Feld (Mahler)



Fischer Dieskau is heard here singing the second song in Mahler's orchestral song cycle Lieder eines fahrenden Gesellen.

The text was written by Mahler himself. The performance is quintessential Dieskau. He sings here with abandon, beautiful phrasing and great attention to color and the text It dates from the year 1960. The cycle tells the story of a young man who takes a journey, having lost his love to a another.

The piece is a staple of singers and orchestras. But there is also a very good chamber ensemble arrangement by Schönberg, which affords the opportunity to perform the piece with smaller forces.


Ging heut Morgen übers Feld/ I walked across the fields this morning

I walked across the fields this morning;
dew still hung on the blades of grass.
The merry finch spoke to me:
"Hey! Isn't it? Good morning! Isn't it?
You! Isn't it becoming a fine world?
Chirp! Chirp! Fair and sharp!
How the world delights me!"
Also, the bluebells in the field
merrily with good spirits
tolled out to me with bells (ding, ding)
their morning greeting:
"Isn't it becoming a fine world?
Ding, ding! Fair thing!
How the world delights me!"
And then, in the sunshine,
the world suddenly began to glitter;
everything gained sound and color
in the sunshine!
Flower and bird, great and small!
"Good day,
Is it not a fine world?
Hey, isn't it? A fair world?"
Now will my happiness also begin?
No, no - the happiness I mean
can never bloom!

Translation from Lied and Art Song Texts Page (see side bar for links)